Sviatoslav Richter plays Brahms Concerto N. 2 Op. 83
The two key elements of Richter's vision of the history of music are the reduction of the sonata form to a scheme for improvisation and the dispersion of the overall form in the lyrical notation.
Sviatoslav Richter throws himself with dizzying voluptuousness into Brahms' Concerto No. 2, considering it as a rhapsody of lyrical themes and playing on a continuous search for sound variety and enormous speed differences to destroy the …