Playing the rests in Liszt's Sonata
Sometimes even great interpretations don’t reveal or highlight many details present in the original score.
Liszt’s masterpiece begins with some muffled tollings (Gs), in the lower part of the instrument, indicated by the composer with the symbol "staccatissimo", meaning that a drier and a more incisive than normal staccato is required.
Furthermore, these tollings are evidently on the upbeat, because of the pauses on the downbeat and on the third crotchet of …