Scriabin plays Scriabin

For Scriabin the true reality of music lies in the notation, which reflects a metaphysical order, not in the execution, which reflects a contingent moment.

The recordings of his compositions performed by Alexander Scriabin (Moscow, 1972-1915) in 1903 for mechanical piano testify to a great diversity compared to the written page. 

We are blessed by the existence of the mechanical piano for having preserved at least one spark of the "true" way …

Maria Judina plays Beethoven Sonata op 111

Judina's ideas are always illuminating, even when they are too much aimed at utopia, as in this so profoundly revealing execution.

"The manner in which Judina performed the last sonata of the Bonn composer is particularly striking. The second part is of exceptional length and very boring, but she not at all feels its weight". 

This is the curious comment by Shostakovich on the exceptional performance of his classmate. 

Judina's ideas …

Maria Judina plays Mussorgsky Pictures at an exhibition

An unmistakable and original artistic personality whose lesson should be remembered and reconsidered today.

"You are far from God, you should get closer to Him". 

With this words Maria Judina addressed Igor Stravinsky. 

They accidentally met in a cemetery and she was bent to the ground. 

Maria Judina (Nevel, 1899 - Moscow, 1970), even today rather unknown in the Western countries, looks like an " old believer", with strong and anachronistic mystical and religious …

Vladimir Horowitz plays Debussy Serenade for the doll

Horowitz's supreme virtuosity gives the idea of ​​a game, not a struggle: with him the essence of virtuosity reappeared. 

"Only success can absolve me. And is right the success that condemns me to their eyes." 

Thus Liszt wrote in 1839 to Marie d'Agoult, who had told him about concerns expressed on him by Chopin and Berlioz. 

The success for Horowitz bursts like a bomb in 1926: in Hamburg, then in Paris, then in …

Sviatoslav Richter plays Schubert Sonata op. 42

A surprising performance where the suspension of time is the discovery of a dreamlike and surreal dimension.

In a letter to his family written the 25th of July 1825 Schubert wrote: "The variations of my new two hands Sonata were very appreciated. I performed them alone and not without merit. Some people assured me that the piano keys became singing voices under my fingers, and that, if true, makes me very pleased …